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Most of the class members sang in the chorus, along with the local talent enlisted.
#BACH MASS IN B MINOR SERIES#
Shaw was conducting the San Diego Symphony in a series of concerts that summer, and we did 2 major choral works. We studied a lot of Bach, but also much else. Awesome! There were about 40 people in the class.
#BACH MASS IN B MINOR FULL#
He illustrated continually at the piano, and always reading from the full orchestral/choral scores. Herford did most of the teaching and he was at that point, Shaw's trusted guru. in a course titled "Workshop in Choral Art," which was taught by Shaw and musician/scholar Julius Herford. When I was between my junior and senior years at university (1953) I enrolled in a summer term at San Diego State Univ. Not exactly the sound I want, but definitely the spirit. Also the whole is very dramatically satisfying to me. He rather "experiments" with OVPP in some particularly appropriate sections, and I think that this comes off well. He has, for me, the right tempos, fine singers, careful, clean, clear players, and a great sense of the architecture of the piece. O lie back and let the music transport me.I turn to Shaw. In general I like the Herreweghe BMM very well, but when I just want it! The fiddler on the Herreweghe version of this aria turns in a strangely twitchy performance I don't care for. Wish I could have gotten more singers to be able to do that. Veronica Gens (Herreweghe) can make you think that she does it in one breath, but she doesn't quite. Julianne Banse (Rilling) can also do it in one breath, but at a faster tempo. He has fine singers.One of my favorites in the mass is the "Laudamus te" and you will go a long way to hear it sung any better than Delores Ziegler sings it.and the opening long phrase in one breath.in a tempo more relaxed than one hears in other readings. Actually I prefer HIP treatment for Bach, but I think that Shaw goes a long way to give a dynamic life to this music. Under the heading of "old business," someone a while back asked for opinion on the B Minor Mass of Robert Shaw.
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See: Mass in B minor BWV 232 - conducted by Robert Shaw Soprano: Sylvia McNair Mezzo-sopranos: Delores Ziegler, Marietta Simpson Tenor: John Aler Baritone: William Stone Bass: Thomas PaulĤ th recording of Mass in B minor by R. Shaw.Ītlanta Symphony Orchestra & Chamber Chorus David Ford from Nashville, TN, who was the bass soloist on the next two Shaw tours, including the B Minor Mass, believes that Malcolm Smith was the bass soloist and that the wonderful and recently deceased Mary Evelyn Bruce was the soprano.ģ rd recording of Mass in B minor BWV 232 by R. The soloists are not listed, but Florence Kopleff, contralto and Seth McCoy, tenor are definates. It was released in 1987 on 3-LP's Melodiya C10 26061 002. This recording was broadcast live throughout all the Iron Curtain countries over the state radio network. Recorded live at the Great Hall of the Moscow Conservatoire, Russia. Soprano: Mary Evelyn Bruce Contralto: Florence Kopleff Tenor: Seth McCoy Bass: Malcolm Smith
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Recorded at Manhattan Center, New York City, New York, USA.Ģ nd recording of Mass in B minor BWV 232 by R. Sopranos: Saramae Endich & Adele Addison Contralto: Florence Kopleff Tenor: Mallory Walker Bass: Ara Berberian See: Mass in B minor Mass BWV 232 - conducted by Robert Shaw Soprano 1: Anne McKnight Soprano 2: June Gardner Alto: Lydia Summers Tenor: Lucius Metz Bass: Paul Matthenġ st recording of Mass in B minor BWV 232 by R. Recordings & Discussions of Other Vocal Works: